BRACELETS

These units operate as body architecture devices that nullify gender distinctions. They are not accessories; they are structures of geometric precision that integrate into human physiology through a logic of organic fluidity. Each piece constitutes an essay on material adaptation, designed to exert a radical presence upon the body.

More than an ornament, these sculptural bracelets exist on the technical frontier between static form and kinetic movement. For the subject demanding a raw aesthetic, each design balances engineering rigor with an ergonomics that fits the dermis as an infrastructural extension. The object does not decorate the limb; it defines it.

Forged in precious and industrial metals, these devices defy decorative tradition by exploring a brutalist vision of contemporary jewelry. Their adaptable structure allows for a symbiotic integration with the wearer, blurring the boundaries between artifact and identity. They are material manifestos free from temporal norms, designed for those who understand the object as a gesture of personal sovereignty.