Ruins are the only architecture that time respects.
Cyprus reimagines the fragment not as loss, but as origin — artefacts of an imagined excavation, remnants of futures already eroded. Each piece functions as a speculative relic: a metal stratum where myth and mineral intertwine. Traces of corrosion, asymmetry, and absence are preserved as signs of endurance. Here, jewellery operates as archaeology — not of the past, but of what might remain.
Fiction becomes evidence, and the act of wearing becomes remembrance.