RINGS

These objects do not operate as ornaments; they are high-precision artifacts that document the intersection of mass and vacuum. Each unit functions as a physical essay, shifting the focus from decorative jewelry toward a rigorous grammar of structural resistance.

The ring establishes itself as a conceptual infrastructure. It does not accompany the body; it activates it as a field of friction and material thought. Through a brutalist aesthetic and the deconstruction of organic form, the collection manifests as physical evidence of critical thinking. The tension between raw textures and industrial precision defines a standard of real value based on intellectual density, rejecting the logic of banal luxury.

Executed in precious and industrial metals, these objects remain as historical records of individual sovereignty. Their fractures and asymmetries are not manufacturing errors, but materialized topographical data. These artifacts demand interpretation; they are not passive accessories, but inescapable presences and extensions of the body's architecture.